Every so often, we decide to dive into a new aspect of playing guitar that many are either afraid of, or just simply have no idea what it's all about. Today, we're going to tackle one of the more feared issues evolving around guitar... Transposition.

Join us as we teach you the most simplistic and easy ways to transpose your music.

With transposition in the spotlight this week, we're also going to show you some handy sites that will give you some very quick transpositions in addition to some software programs that can help you transpose larger scores of music.

Getting That Riff In Your Favorite Key!

Where to get started.

How many times have we composed a riff that we absolutely love, or perhaps found a song that we really enjoy playing and wanted to put it into a new, original song and truly make it ours? Chances are that we've all wanted to at least try it out once or twice but always came across one roadblock... Keys.

As mentioned in our last article, the probability that two riffs will be in the same key is very low if you are writing a lot of songs or wish to link two well known songs together. This is where you need to transpose one of those riffs so you can connect them together and put them in that song.

Another scenario is that you just wrote an awesome riff that you envision going into one of your band's songs... The only problem is that it's in the wrong key! With transposing, you can still use that riff and play along with the rest of the band.

If you're a true band nerd, like myself, you have probably been around transposition since the days of Jr. High or Middle School. Now, if you're still like me, you didn't have two clicks on how to do it either. I was always amazed to see how my teacher would take a trumpet part and transpose it so I could play it on my sax and still be in the right key!

With guitar, this is invaluable. You can take a sax part and transpose it to your guitar. If you happen to have a sax player around, you can now play along with that sax and still be in the proper key.

One of the most unique things about playing guitar is that we have a number of tools available to us to use for easy transposition. Many other musicians envy us for this and call us cheaters in the game of music theory, however, if you can use it... Why not?

The tools that you can use.

One of the most common tools used to transpose music on the guitar is the capo. The capo is essentially a piece of rubber that is glued onto two pieces of metal with a spring placed in between. When clasped onto the neck of your guitar and placed behind a fret, it acts as a new nut (AKA the "zero" nut.) This new nut raises the pitch of your guitar, therefore changing the key.

Most guitarists use them so they can make really complicated chords into easy open chord shapes. This is where the whole joke about cheating comes in. Instead of actually practicing those really hard chords and getting your technique down, you can transpose that chord using the capo and turn it into an open chord shape such as an E Major or an A and still have the same chord.

While I don't recommend that you always do that because it's always good to know how to play a song if your capo breaks, it's great for live performances where you want to minimize the risk of messing up a complicated chord. If you're a lead guitarist, you can still use a capo but in all honesty, it's far easier to find the key that everyone else is playing in relative to the capo and just use the scale that suites the song best.

In most cases, it's actually quicker for a lead guitarist not to use a capo and just find a scale. Switching a capo around the neck of your guitar can cost valuable seconds between songs.

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Come join us as we journey into one of the biggest myths of the guitar community and learn how the key to speed is through accuracy and clarity.

There are a ton of theories floating around in the guitar player community about the secret to improving your guitar playing speed. Most of these theories are based on some sort of half truth, but a good part of the time these theories are nothing more than myths and really offer no help to truly improving a person’s playing ability or their speed and style.

One of the biggest myths out there about achieving faster playing speed is that you can’t play fast with thick strings and high action. Most of the proponents of this particular guitar playing myth say that in order to be able to make your fingers fly across the fretboard, your strings have to be thin and the action in the strings needs to be low.

The reason this is a myth is because in reality, thinner strings and lower action do not at all make it possible for you to play faster, or better. Thin strings and lower action just reduce the amount of resistance you get when you play. This makes the notes easier to hit, but does nothing for the quality of your tone, nor for your speed and skill. It just makes making noise easier.

Playing with thin strings doesn’t take an individual who is still an amateur and make them into a guitar master, even if they play faster. What it really takes to be able to play faster isn’t lightning quick fingers, at least not at first. The key to successfully mastering speed and any part of guitar playing is accuracy and clarity.

A lot of people who get into playing the guitar immediately want to jump into learning how to play fast, and forget all about accuracy. It doesn’t matter how fast you play if you always hit the wrong notes and play sloppily. The problem is people tend to put a higher value on how fast you play, rather than on how well you sound when you play. Accuracy is the key to developing fast fingers. Learn how to play all your scales and chords, master them and their positions on the fretboard, slowly at first. Then after you have them committed to memory, start working on speed. By doing this you will develop into a very well rounded player and will be able to play lightning fast solos with pinpoint accuracy and clarity.

Another great tip for aspiring guitarists to improve accuracy and speed is to use guitar backing tracks. Practicing your solos and your speed techniques can be made even more beneficial when you can play along with an entire band of musicians. Guitar backing tracks provide you with a whole band to back you up while you play and help you to develop your skills while learning how to play with other musicians.

Scales are the key to advanced-level guitar playing. Here are the steps to mastering your scales and turning them into shreddin' lead guitar:

1) Learn and memorize each of the five pentatonic and seven diatonic scale patterns. Needless to say, this isn't going to happen overnight. Play each pattern straight from the lowest note of the pattern to the highest note of the pattern and back again. Don't do anything tricky with the pattern. Play each pattern starting as low on the neck as possible (open string or first fret), play the pattern across all six strings and back, then move up one fret and repeat the same pattern. Continue to move up one fret at a time until you've played the pattern at every fret you can comfortably play. Consider this one "round" of playing a pattern. It may take you 10 or 20 or more rounds to even begin to become fluent with the pattern. Personally, I put in hundreds, probably thousands, of rounds of each scale pattern over the course of a few years in my teens and early twenties. In all honesty, that's what it takes.

2) Then start working on the patterns using exercises – the kind that have you play sequences of scale notes that are not just playing straight from the lowest note to the highest note. Exercises like this can be found on the net, and there are dozens of them in my course, Logical Lead Guitar, demonstrated on DVD and written out in tab and notation. These exercises help you to become fluent playing the scale patterns in a non-scale-like fashion. And this is the all important bridge to actually being able to play lead guitar.

3) Next, begin doing what I refer to as "puzzle locking exercises." Scales fit together in one key up and down the neck like puzzle pieces, so you have to work on sliding from one scale pattern into the next pattern without going to the wrong fret. That's why I suggest these "puzzle locking exercises." There's a ton of them in Logical Lead Guitar, on DVD and in tab and notation.

4) Learn a melody – something really easy and familiar, such as "Twinkle, Twinkle Little Star" – in each of the scale patterns. No matter which melody you choose, you'll find that it's probably easier to play that melody in some scale patterns than others. After you've attempted enough different melodies, you'll usually find that there are certain melodies that work best in each of the five pentatonic or seven diatonic scale patterns, and not quite as well in the other patterns. And at first you might think that there are only a couple of patterns in which most melodies can be played very easily, and most of the other scale patterns are not so useful. But with time – and with the exploration of more melodies – you'll find that every one of the patterns has its strong points.

5) "Noodle around," as I call it, in each of the scale patterns. Plan on doing a lot of this, if you really want to become fluent at improvisation – creating your own unique solos – instead of simply knowing how to play other guitarists' solos. By noodle around, I mean that you should spend five or 10 minutes straight playing any and every simple, or even silly riff or melody that you can find in one pattern. Then choose another scale pattern and do it again for five or 10 minutes. You can easily do this unaccompanied, or you can put on a CD of some song by your favorite artist and play over the top of them. Really, you should use both techniques to really learn your chops. Actually, after you've done this a few times and have begun to feel comfortable doing so, it becomes kinda fun!

6) After doing plenty of noodling around in each of the patterns, you should have begun to find specific licks that work really well only in one specific pattern. You need to catalog these licks, at least in your mind, if not by writing them down (in tab or sheet music) or even by recording them so you can refer back to them in the months ahead.

7) Begin learning solos from your favorite artists, as close to "note-for-note" as you can. Use any resource you must to get the solo correct in the beginning – free tab off the Internet (many, if not most of these, are incorrect, however); the very accurate songbooks published by companies such as Hal Leonard, Mel Bay, Warner Bros., etc.; DVDs, such as the awesome Signature Licks series by Hal Leonard; or even from a teacher or friend. And here's a hint: If you are closer to beginner lead guitarist than expert, don't waste your time trying to run before you can walk. Whether you want to or not, you really need to learn simple, slower solos before you're going to be able to tackle something by Joe Satriani or Eddie Van Halen or Metallica or Avenged Sevenfold. Don't bother trying to fool yourself, you're just wasting time. Learn a couple of simple solos, then move up to intermediate solos, then start working on the harder stuff.

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